ETC Presents: 'And Things That Go Bump in the Night' by Terrence McNally
Price: $17 - $20
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A corrupt society has forced a family into the isolated confines of their basement where they manipulate each other in an effort for what appears to be survival. AND THINGS THAT GO BUMP IN THE NIGHT is the first play of playwright Terrence McNally to reach Broadway, over fifty years ago. "Certainly an obscure title and rarely produced, but penned by one of the most prolific American playwrights still living," mentions Founding Executive Director Garry Lee Posey. "We enjoy introducing the theatre audiences of Chattanooga to theatre they might not get to experience living so far away from New York, DC, or Chicago where the exposure is vastly different." The story centers around Ruby, a faded opera diva who refuses to accept her reality and lives in a past of glories and memories while trying to steer a family through trying times. Lakme and Sigfrid, Ruby's children, are both reminiscent of the complexities of sibling rivalry and teenage angst mixed with uncertainty and a fear they have a hard time admitting. Rounding out the family are Fa and Granfa, somewhat emasculated and somewhat distant but differently so. Then add to the mix Clarence, this evening's nightly invited guest from the outside who has a responsibility for the survival of this family, but is unaware. The cast includes ETC veteran Taryn Bracher in the role of Lakme, new to the 2018 ensemble and in his second role of the year Joseph Watts in the role Sigfrid. The cast also includes newcomers Ed Huckabee, Jacob Moore and Tori Mattison in the roles of Granfa, Clarence and Ruby. Rounding out the cast is ETC regular Eric "Red" Wyatt" in the role of Fa. Stage Manager is Elena Nikolaeva, set design is by Martine Cartier (new to ETC and to Chattanooga), costumes are by Kyle Dagnan.
Shortly after announcing the season, ETC received an email from Terrence McNally stating that he was grateful to hear of our production. As he turns 80 this year, he felt that our production was an amazing and unexpected birthday present. He credits the success of BUMP in 1964, even though the critics were not favorable of it, as the impetus for his continued career as a playwright. He said that were it not for the three-week sold out run, he might not have ever felt like he could communicate with an audience. What a shame that would have been for the history of the American theatre.
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